Finishing 4–binding

Here we are again binding the big quilt.

The bottom edge shows the folded back binding ready to be sewn.  The top is the already sewn other side.  I pinned them together to make sure they match (avoiding the stretch monster).  Now I know they are the same size and I can go on with confidence.

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After you have completed 3 sides and have turned the corner on the 4th, you need to leave a gap of at least 10″ or so with tails of binding on each side.

We had folded the beginning edge at a 45 degree already so it’s ready to meet the other end.  I put a little basting glue along that diagonal edge and then fit the end binding into it.  Smooth it out, make sure everything fits right and then add pins to hold it for sure.

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You can then pull the binding away from the quilt and manipulate it to fit into your machine so you can stitch along the folded diagonal.  Press the seam open, trim to 1/4″ and then align it along the edge of the quilt again, pin well and stitch the binding to the quilt to complete the whole binding.

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Then you can see it just looks like any other seam along the length of the binding.

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The last step is to turn the folded edge to the back of the quilt and hand stitch with your nicest hand stitching so it covers the machine stitching line and looks great from the back.

 

It’s done, congratulations!

 

Finishing 3 — binding

When there is piping involved I put my binding on upside down and backwards! – this is the method taught by Susan Cleveland and it works great.

So you join the binding strips with diagonal seams as shown before until you have the length needed to go all around the quilt plus some extra for insurance and joining.

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Press seams open raw edges together, right sides out.  Leave a tail unsewn of about 10″.  (There are easier ways to do this, which I use on my small quilts, but this is hopefully a show quilt and I’ll try to make it top notch.)

I pin baste over the piping (on the ironing board again to avoid the stretching monster) then sew from the back using the piping seam as a guide.

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When I get to the corner I stop where the piping seam intersects and drive off the corner diagonally…remove from the machine and fix the corner like you normally would.

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Finishing 2– piping

Now we have the piping constructed and we’re ready to move on

This shows how I trim my piping with an “add a quarter” ruler.

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I snug the ridge right up against the piping and cut.

Always position and pin the piping while on a flat surface (remember the stretching enemy) we want to keep that from happening.

Then we stitch one side at a time.

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The corners are just crossed.

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Finishing 1–on long strips

My “BIG” quilt project is almost done.  I’m going to finish the edge with piping and binding.  I need about 10 yards (360″) of 1 1/8″ green for the piping. I’ll repeat from brown with wider strips for the binding.

I thought some of you might like some tips on how I approach finishing a big quilt. Stretching is the enemy when binding something you want to hang straight and square on the wall.

So here are some things I do.

building the piping…

  •  I cut the strips on the lengthwise grain of the fabric. (less stretch)
  •  Next I want to sew all of the strips together with a diagonal seam (less bulk)

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  • So I line the ends up at right angles (90) and sew across from A to B at (45)
  • Lay the strip away from the sewing area and then fold back on itself to keep from getting twisted..that way you’ll always be sewing the seam on the same side of fabric as the last seam. (does that make sense?)
  • Keep sewing seams diagonally until all strips are joined (a long piece)
  • Next I clip the threads and press open the seams, then trim both sides of seam allowance to 1/4″ or so.

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Now we have a really long strip of 1 1/8″ green to be folded and piping cord inserted

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Here it is with piping cord inside but untrimmed.

Best of Show

Big excitement!!

My new quilt “Begonia Picotee” won Best of Show at the Humboldt Arts’ Council Member’s Show.  It will be on exhibit through December and is in the upstairs gallery. (Morris Graves Museum of Art, Eureka, CA) stop by and see the art if you have time.  There are some interesting pieces on display.

I am very thankful to have my work recognized in an art show.

The piece is a painted Begonia with heavy threadplay (very heavy).

The Year of the Slipper

I was looking through old sewing pictures this morning and happened upon this beautiful shot of ME!

This was in 199? something.  A few years back.  There are now 18 grandchildren, then there were not quite so many.  So that year I decided to make slippers for all the kids, kids’ spouses, and grandkids.  Not a fancy present, but none-the-less a sewing experience, which of course IS my thing.

So I present:  The year of the slipper!